Tag: #reviews

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Black, Bleak, Ghoulishly Funny – Scary Goat Theatre’s ‘A Twist of Fate’ perturbs and provokes in their bigger and better fourth season

REVIEWED BY ANNA RYLEY EDITED BY CHARLOTTE FRASER A Twist of Fate feels as if Black Mirror had a baby with some of Doctor Who’s scarier, hiding-under-the-couch episodes. Scary Goat Theatre’s campy showcase was tightly written and featured some delightfully intriguing stories with a small dose of the unusual. For those with the unique pleasure of experiencing A Twist of Fate for the first time, … Continue reading Black, Bleak, Ghoulishly Funny – Scary Goat Theatre’s ‘A Twist of Fate’ perturbs and provokes in their bigger and better fourth season

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Comical, curious and chilling – Above Sea Level takes us to The Office at the End of the World

REVIEW BY ALYSSA MCDONALD SMITH EDITED BY AZMY Above Sea Level took to the Guild Theatre from 7th – 9th of May to welcome us into Saskia Powles’ humorous dystopia The Office at the End of the World. Written and directed by Powles, the play follows the inner workings of a seemingly mundane office branch who’s ‘normal’ is thrown into turmoil after the introduction of … Continue reading Comical, curious and chilling – Above Sea Level takes us to The Office at the End of the World

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A great production of Legally Blonde by Trinity College: What, like it’s hard?

REVIEWED BY BATRISYIA MD KHAIRIL EDITED BY CHARLOTTE FRASER It doesn’t take long for me to realise it’s going to be a full house. There are multiple people craning over the program noticeboard. I am barely able to see it, let alone scan the QR code of the program, before the show. The dense crowd chatter turns to an excited murmur as we file into … Continue reading A great production of Legally Blonde by Trinity College: What, like it’s hard?

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Little Hall Arts Society dares to ask, “what the hell is a cabaret!?”

REVIEWED BY ELIJAH VALERY SLAVINSKIS EDITED BY MIRANDA WILSON If there was one thing I was meant to take away from Little Hall’s absurdly long-titled cabaret, it was that “if AI says it’s right, then it must be true.” At least I think it was… ME: Hi ChatGPT. CHATGPT: Hey! What’s up? ME: I’m hoping you could help me out with something. CHATGPT: Sure—what do … Continue reading Little Hall Arts Society dares to ask, “what the hell is a cabaret!?”

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Camp chaos rings loud in RMIT Redacts’ Present Laughter

REVIEWED BY KIT WILLS EDITED BY CHARLOTTE FRASER Starting their year off with a bang is RMIT Redacts’ Present Laughter a 1939 comedy by Noël Coward that feels incredibly modern despite its pre-World War II setting. Sitting in the Kaleide Theatre waiting for the show to begin, I could feel the buzz of excited audience members ready for opening night. Immediately setting the tone was … Continue reading Camp chaos rings loud in RMIT Redacts’ Present Laughter

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A Captivating Battle Between the Mind and the Heart: Experimenting with Our Body’s Chemical Reactions in THE EFFECT

REVIEWED BY AUDREY MUELLER EDITED BY CHARLOTTE FRASER We often expect enormous acts to transform our lives, but ultimately it all boils down to the small decisions. In Key Conspirators and Theatre Works’ production of The Effect – an award-winning play by Lucy Pebble – we meet Connie and Tristan, two young volunteers who get involved in an anti-depressant drug trial. They expect 4 weeks … Continue reading A Captivating Battle Between the Mind and the Heart: Experimenting with Our Body’s Chemical Reactions in THE EFFECT

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ICAC’s Godspell found the light

REVIEWED BY ISLA TEAGUE EDITED BY RACHEL THORNBY The Intercollegiate Activities Council (ICAC) kicked off the Melbourne University theatre season with their production of Godspell, directed by Stella Bryne. Written by John-Michael Tebelak and composed by Stephen Schwartz, Godspell filled the Union Theatre with joy, energy and lots of vines from the 16th – 18th of April. Centring on parables from the Gospel of Matthew, … Continue reading ICAC’s Godspell found the light

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Moving Pieces establishing their status as The Goat

REVIEWED BY SUNDAY WILLIAMS-STARKIE EDITED BY MYA HELOU I tried my very hardest to go into watching The Goat, or Who is Sylvia? blind. When I volunteered to review it, I was warned: ‘make sure you’re careful about that one. It’s pretty… full on.’ In my case I decided to carefully stay uninformed. I got the sense the play relied heavily on shock factor, and … Continue reading Moving Pieces establishing their status as The Goat

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Help me, If You’re Hearing This. You’re my only hope.

REVIEWED BY BATRISYIA MD KHAIRIL EDITED BY CHARLOTTE FRASER When entering the Motley Bauhaus, you’ll notice the colourful posters of various comedy festival acts. Keep an eye out for the poster for If You’re Hearing This. It’s the one with a space-suitted Ally Morgan looking out with mild confusion and bewilderment. Don’t let this fool you; Morgan knows exactly what she’s doing. Using only a … Continue reading Help me, If You’re Hearing This. You’re my only hope.

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‘God Can’t Make Me Come’: CONFESSIONAL by Gumboot Theatre Company

REVIEW BY JADE BREEN EDITED BY CHARLOTTE FRASER We’ve all felt it. The stomach dropping, cheek warming, goosebump giving embrace of a crush. Perhaps it was a coworker, or a stranger on the street. Maybe it was a little closer to home, a best friend, a classic forbidden love. Whoever it was, however it may have festered, the vulnerable act of yearning is a universal … Continue reading ‘God Can’t Make Me Come’: CONFESSIONAL by Gumboot Theatre Company

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