REVIEWED BY JADE BREEN EDITED BY RACHEL THORNBY Trigger warning: The cat dies in this one. Well, eighty-five of them to be precise, but who’s counting? Presented by Theatre Works and Paracosm, Tom Fowler’s Katzenmusik turns up the broken radiator, raising a bold middle finger at the all too familiar perils of the housing crisis. Derived from German, Katzenmuzik is defined as a caterwaul; the … Continue reading Katzenmusik: The Cat dies in this one
REVIEWED BY KIERA EDELSTEIN EDITED BY RACHEL THORNBY There is something appealing about the aesthetic of cleats, pumping athletic music and female-led stories at the moment and, with its epic display of ball skills, blood red uniforms and a team of girls with enough grit to win their soccer tournament, Theatre Works’s The Wolves is no exception. For examples think of: Melbourne Theatre Company’s ‘Shoelace Chaser’; ‘Good For a Girl’ written by Becky Deeks, which … Continue reading Get your game face on: The Wolves are ready to chew out your expectations
REVIEWED BY AUDREY MUELLER EDITED BY MIRANDA WILSON Some of the most interesting and captivating original productions are performed in theatres found down dark alleys. Sainting Joan is one of them. After running around the back streets of St Kilda, I finally found Explosive Factory’s theatre. And I’m glad I did, because this original rock musical was exciting at every turn. The narrative opens in … Continue reading Sainting Joan: The Baddie in a Bowl Cut, Historically Informative and Entertaining
REVIEWED BY AUDREY MUELLER EDITED BY CHARLOTTE FRASER We often expect enormous acts to transform our lives, but ultimately it all boils down to the small decisions. In Key Conspirators and Theatre Works’ production of The Effect – an award-winning play by Lucy Pebble – we meet Connie and Tristan, two young volunteers who get involved in an anti-depressant drug trial. They expect 4 weeks … Continue reading A Captivating Battle Between the Mind and the Heart: Experimenting with Our Body’s Chemical Reactions in THE EFFECT
Review by Mya Helou Edited by Charlotte Fraser Everything is pretty normal if you ignore the fallen star emanating a slow pulsing light in the corner. Set designers Aisha Tabit and Julian Machin create a quintessential petrol station, complete with linoleum flooring, a scuffed-up counter and a shelf stacked with snacks and toiletries to really sell it. Sam (Ally Taueki-Gatt) has already clocked in, stocking … Continue reading I THOUGHT YOU SAID: What to do when the stars are falling
The Dialog 