Tag: #guildtheatre

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Comical, curious and chilling – Above Sea Level takes us to The Office at the End of the World

REVIEW BY ALYSSA MCDONALD SMITH EDITED BY AZMY Above Sea Level took to the Guild Theatre from 7th – 9th of May to welcome us into Saskia Powles’ humorous dystopia The Office at the End of the World. Written and directed by Powles, the play follows the inner workings of a seemingly mundane office branch who’s ‘normal’ is thrown into turmoil after the introduction of … Continue reading Comical, curious and chilling – Above Sea Level takes us to The Office at the End of the World

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Little Hall Arts Society dares to ask, “what the hell is a cabaret!?”

REVIEWED BY ELIJAH VALERY SLAVINSKIS EDITED BY MIRANDA WILSON If there was one thing I was meant to take away from Little Hall’s absurdly long-titled cabaret, it was that “if AI says it’s right, then it must be true.” At least I think it was… ME: Hi ChatGPT. CHATGPT: Hey! What’s up? ME: I’m hoping you could help me out with something. CHATGPT: Sure—what do … Continue reading Little Hall Arts Society dares to ask, “what the hell is a cabaret!?”

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Moving Pieces establishing their status as The Goat

REVIEWED BY SUNDAY WILLIAMS-STARKIE EDITED BY MYA HELOU I tried my very hardest to go into watching The Goat, or Who is Sylvia? blind. When I volunteered to review it, I was warned: ‘make sure you’re careful about that one. It’s pretty… full on.’ In my case I decided to carefully stay uninformed. I got the sense the play relied heavily on shock factor, and … Continue reading Moving Pieces establishing their status as The Goat

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Cake, Crinoline and Colonial Sins at Picnic

Barkly Theatre gets off to a sinister, spell-binding start with their debut production. Picnic at Hanging Rock would be a bold choice for any debut. Published coinciding with the 1967 First Nations referendum, Joan Lindsay’s carefully manicured novel sculpts a world in turmoil. Four schoolgirls, perfect Anglo-Australian citizens, disappear from a Valentines’ trip to Hanging Rock; two are never found. Lindsay’s curlicued prose chronicles the … Continue reading Cake, Crinoline and Colonial Sins at Picnic

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Out of this World with ‘Crystalline Consciousness’

EMMA PARFITT DISCUSSES THE DEAD END COLLECTIVE’S DIVE INTO OUTER SPACE Dead End Collective advertised their new production, The Crystalline Consciousness That Speaks Meaning Into Flesh, as ‘a romp’, and a romp it most certainly was. With a talented ensemble cast and captivating production design, this show is a promise of more excellent things to come from Dead End Collective. In their brand-new original work, … Continue reading Out of this World with ‘Crystalline Consciousness’

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The Effect: Pulls You In—Hook, Line, & Sinker

Reviewed by: Zimo Lee The Effect by Lucy Prebble is a story about two volunteers in an antidepressant clinical trial. There, the characters Tristan (Freddie Carew-Reid) and Connie (Hazel Pigrum) form an unexpected attraction to one-another that blossoms into a heart-wrenching romance; are their feelings their own, or simply an Effect of the drugs? Short Straw Theatre Company boasts a performance that keeps the audience on their … Continue reading The Effect: Pulls You In—Hook, Line, & Sinker

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Corpus Machina Collective’s “ICARUS”: An Exceptional Debut

Reviewed by: Emma Parfitt ICARUS, an original work by Tulipa Rodriguez-Quin, takes the timeless myth of the same name to new heights. The legend of Icarus is a textbook one of hubris – with Icarus’s wings formed of feathers and beeswax melting when he becomes too arrogant and flies too close to the sun, having lethal consequences. Corpus Machina Collective’s ICARUS follows this story almost … Continue reading Corpus Machina Collective’s “ICARUS”: An Exceptional Debut

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Element Theatre Company’s “Supreme Me”: An Unequivocal Success

Reviewed by: Pandaren PENG “Supreme Me” adapted from Dario Fo’s globally acclaimed play “Accidental Death of an Anarchist,” tells the story of a man suffering from “Supreme Me” syndrome. Through his encounters at a police station, he uncovers the dark tactics behind a farmer’s “accidental death” and takes on the role of a senior inspector from the Supreme Procuratorate to review the case. His successful … Continue reading Element Theatre Company’s “Supreme Me”: An Unequivocal Success

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Swinging Into the Jazz Age With Trinity College’s ‘The Great Gatsby’

Reviewed by: Dempsey Doyle Baz Luhrmann’s 2013 adaptation of the F. Scott Fitzgerald narrative classic The Great Gatsby is not only an ambitious, aesthetically stunning filmic experience, but an ode to the lavish yet licentious times of the Roaring Twenties. Considered to be both a cinematic and literary masterpiece by many, Trinity College rose to the trials that come with portraying the tale’s melancholic merriment. … Continue reading Swinging Into the Jazz Age With Trinity College’s ‘The Great Gatsby’

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