The Days In Between: Life in Limbo
As its title suggests, The Days In Between is a work that exists in the grey values. Morality, sanity and reality are never clear-cut in playwright Sara Laurena’s surreal nightmare, following drifting student Ira’s (Eunice Chuang) experiences with Post-Traumatic Stress Disorder. The unease flows thick and fast right from the start, as a certain ‘happy song’ jars against a stage rife with haze, masked figures … Continue reading The Days In Between: Life in Limbo
Death of a Salman: Energetic and Amusing
A night full of amusement and laughter, MUSLSA’s annual charity play Death of a Salman opened last night to begin its three night run. With little connection to the play its title satirises, the show instead portrays a parody of the classic murder mystery plot, all presented through a light-hearted and comedic lens. The plot follows an eclectic bunch of characters who are invited to … Continue reading Death of a Salman: Energetic and Amusing
Gala: Comedy That Celebrates Comedy
As a part of the Melbourne University Comedy on Campus festival, the Comedy Gala was a fun and entertaining night featuring a number of acts, from student up-and-comers to established comedians. Just the sheer diversity in all the acts was itself the strongest element of the show. The performers displayed a number of different comedic styles. All acts throughout the night were stand-up, with the … Continue reading Gala: Comedy That Celebrates Comedy
Mudcrabs: A Set of Successful Sketches
Mudcrabs: The Box Set, opened last night for the first of their four night run, as part of the Melbourne International Comedy Festival. A lively demonstration of sketch comedy, Mudcrabs’ nine members demonstrated varying levels of commitment to pull off an energetic and rousing performance. With nudity, defiance of heterosexual norms and an array of accents, this eclectic show is guaranteed to present a sketch … Continue reading Mudcrabs: A Set of Successful Sketches
Playing It Safe
Twelve Angry’s Bachelorette is a solid production hindered by its own devotion to the text, but nonetheless prompts hearty laughs and reflection on what it means to grow up. The play is about a bunch of deplorable fuck-ups in their late 20s, coming together the night before Becky’s wedding to get wasted and complain about Becky. Sort of. The three leads, Gena (Rebekah Robertson), Katie … Continue reading Playing It Safe
Raffles on Capri
Born from the lyrics of Australian band Benny and the Dukes, Raffles on Capri is sure to delight audiences when fully realised in their six-show extravaganza in November. In all honesty big, traditional show tunes have never captivated my interest, which is why this contemporary musical – albeit still in the works – has pleasantly surprised me so much. Attending audiences to the Raffles on … Continue reading Raffles on Capri
Out-Of-This-World Comedy
The Mudcrabs’ contribution to Melbourne Fringe Festival was Mudcrabs in Space, a sketch comedy show that surprisingly, doesn’t have that much to do with space. The opening of the show wasn’t particularly funny, unfortunately, simply featuring the seven comedians repeating one joke again and again, getting increasingly louder. It was predictable, but definitely wasn’t an indicator of what was to come, for it was followed by … Continue reading Out-Of-This-World Comedy
First Class Performance
From the minute the audience entered the Guild Theatre we were transported into the gritty and dreamlike world of FLW’s Who’s Afraid of the Working Class. The set – a garbage tip, mattresses and a table – radiated well-coordinated chaos. The live music was urban and surreal, and the actors frozen in their positions on stage already grounded us in their world. Who’s Afraid of … Continue reading First Class Performance
UMMTA Gets Political
In the running history of UMMTA shows, The Hatpin stands alone, quite unique for being both Australian and somewhat contemporary (written in 2008, with revisions as recent as 2011). It is distinctive for its predominantly female lead-cast, and its deliberate focus on the experiences of these women. Written by James Millar and Peter Rutherford, The Hatpin follows the story of Amber Murray, played by Eleanor Davey. Set … Continue reading UMMTA Gets Political
A Taste That Leaves You Wanting More
From the minute the audience walked into the Guild Theatre, DisColourNation’s ‘The Unbearable Whiteness of Being’ made an impact. Each audience member was stopped and asked if they identified as a person of colour. Those who said yes got a Freddo chocolate; the rest sat down empty handed. It was clever, allowing the audience to experience the marginalisation that was explored throughout the piece. Without … Continue reading A Taste That Leaves You Wanting More
The Dialog 