“Emotional, Gripping, and Cathartic”: MUSC’s Patroclus and Achilles

Reviewed by: Oscar Hales Editor: Sophia Zikic As an aspiring historian, I know too well the painful phenomenon of treating historical homosexual couples as “very good friends.” Given their ashes were mixed together so they could be together in death, it seems downright insane to treat Patroclus and Achilles as “roommates”. Yet this is just what Shakespeare did, not even mentioning it in Troilus and Cressida, his telling … Continue reading “Emotional, Gripping, and Cathartic”: MUSC’s Patroclus and Achilles

Do Everything Now Before the World Ends: UHT Takes Audiences on an Electrifying Journey to the End of Days

Reviewed by: Oscar Lidgerwood Editor: Sophia Zikic Do Everything Now Before the World Ends’ thought-provoking effervescence confronted the nihilistic existentialism that underpins our everyday life in a tight 40-minute ensemble piece. Union House Theatre (UHT) tackled this relevant topic of the world’s impending end with bold, non-natural stylistic choices that transcended the audience beyond the walls of the Guild Theatre, creating a piece of theatre … Continue reading Do Everything Now Before the World Ends: UHT Takes Audiences on an Electrifying Journey to the End of Days

An Enthralling Evening with ‘After She Left’

Reviewed by: Pandaren PENG Editor: Oscar Lidgerwood From the moment one stepped into the Guild Theatre, it became apparent that this production of After She Left was going to be a truly memorable experience unlike any other. Even before the curtain rose, a sense of suspense and intrigue permeated the Front of the House, amplified by an enigmatic promotional video. Guests queued in anticipation, clutching an envelope … Continue reading An Enthralling Evening with ‘After She Left’

A Taste That Leaves You Wanting More

From the minute the audience walked into the Guild Theatre, DisColourNation’s ‘The Unbearable Whiteness of Being’ made an impact. Each audience member was stopped and asked if they identified as a person of colour. Those who said yes got a Freddo chocolate; the rest sat down empty handed. It was clever, allowing the audience to experience the marginalisation that was explored throughout the piece. Without … Continue reading A Taste That Leaves You Wanting More

Macbeth: Interview with Rachel Shrives

A grey morning. Two tired uni students have a conversation. Claire Ferguson talks with Rachel Shrives, Assistant Director of UHT’s Macbeth + macdeath: a coda. What are one or two of the key elements of your production of Macbeth? Macbeth in a few words is about over turning the natural order. By natural order, I mean privileges that we’re given that we don’t question, being … Continue reading Macbeth: Interview with Rachel Shrives

Time For the Main Course

“Nine new Australian works is more than you will ever see in one season of main-stage theatre,” Jean Tong rightly announced before the start of Tastings, a series of new Australian plays hosted by the UMSU Creative Arts Office. Coinciding with the 2017 season launches of major theatre companies around the nation (again highlighting the consistent lack of Australian work on the main stage) Tastings … Continue reading Time For the Main Course

Disturbingly Relevant

Sexual assault is an ongoing social issue, particularly in a college environment, as is the victim blaming and sexism that so often surrounds rape. In light of this, International House’s choice to perform Blackrock, which explores the aftermath of the rape and murder of a teenage girl, is both bold and commendable. Directed by Holly Nugent, the production was as gripping as it was thought … Continue reading Disturbingly Relevant

‘Assassins’ A Dream

Over twenty years ago, when Stephen Sondheim’s Assassins originally opened Off-Broadway, the composer expected disapproval of its ‘volatile’ subject matter. The musical tells the stories of nine people who attempted – some successfully – to murder Presidents of the United States, and explores what motivated the assassins, using the conceit of a carnival shooting game. Today, it seems people are transfixed more than ever by … Continue reading ‘Assassins’ A Dream

Enjoying the Apocalypse

‘Don’t you see,’ Jeremy tells the Apocalypse Bear, ‘it was about who we are now and about our childhoods at the same time.’ This concept of duality is at the heart of Lally Katz’s Apocalypse Bear Trilogy. A narrative that stretches across time and space, forcing audiences to consider matters both dark and mundane – from domestic comedy to sexual violence – Katz’s absurdist play … Continue reading Enjoying the Apocalypse