REVIEW BY BRONTE LEMAIRE EDITED BY EMMA PARFITT Adapted for the stage by actor Robert Meldrum and director Richard Murphet, Still takes us through six different prose pieces written by Samuel Beckett. These include Fizzle Still, Variations on a Still Point (which was comprised of Still 3 and Sounds), Stirrings Still, Heard in the Dark and One Evening. What you will quickly notice is that … Continue reading Still: A Moment With Beckett
REVIEW BY JESSICA FANWONG EDITED BY RACHEL THORNBY “I can smell what you did, I can smell it on you…” Visceral and intimate, Liminal Theatre’s The Selkie Project marks the company’s return with a highly experimental and carefully crafted character study of the selkie. Created by Georgie Durham (who also performs as the selkie) and directed by Draf Draffin, The Selkie Project is a retelling … Continue reading Liminality and Longing in The Selkie Project
REVIEW BY ELLA CALLOW-SUSSEX EDITED BY EMMA PARFITT It was a cold and dreary night in May. Autumn wind, having finally taken hold in Melbourne, made my fingers brittle and after not heeding the copious warnings about terrible parking at Theatre Works, I started the long walk to the theatre just as it started bucketing down. I wanted to turn around and go home. I … Continue reading Storked: Myf Hocking’s New Play Flies High
REVIEW BY AZMY AZURITE EDITED BY EMMA PARFITT “Humans are much worse than animals.” St. Kilda Tales is a show you could come watch night after night, and each time emerge with a different picture of the characters—and perhaps even the world around you. You sit, entranced for two hours, as vibrant and memorable characters clash with each other throughout the whole space. To your … Continue reading St. Kilda Tales: Life Is Nonsense But At Least We’ve Got The Club
The Dialog 