The Drowsy Chaperone: Pure Theatre Joy at Queen’s College

Reviewed by: Jade Smith Fundamentally, this production of Drowsy can only be described as an absolute romp – fun, vibrant, and carried by an incredibly strong cast and crew, a fabulously loving homage to musical theatre. The Drowsy Chaperone follows the Narrator (Will Serafim), an anxious, socially awkward older man living alone in what one can presume is his New York apartment, as he takes us through his … Continue reading The Drowsy Chaperone: Pure Theatre Joy at Queen’s College

UMMTA’s Spamalot: A Successful Quest!

Reviewed by: Emma Parfitt Spamalot is a show advertised to knock Broadway back by 1,000 years – and UMMTA sure delivered a knockout performance at Union Theatre as they transported us back to middle ages in spectacular fashion. The musical, with book and lyrics by Python legend Eric Idle, is essentially a direct spoof of Monty Python and the Holy Grail. Directed by Nick Reynolds … Continue reading UMMTA’s Spamalot: A Successful Quest!

A Kooky, Spooky Night with St. Hilda’s “The Addams Family”

Reviewed by: Felicity Siegenthaler St Hilda’s production of Addams Family was a killer hit! The kooky musical comedy brings everybody’s favourite family of darkness on a light-hearted journey of love, growth, and acceptance. The story follows the iconic Wednesday Addams, who has now grown up, fallen in love, and becomes engaged to a conventional young man called Lucas Beineke. After organising a dinner party at the Addams Family Manor for the two families to … Continue reading A Kooky, Spooky Night with St. Hilda’s “The Addams Family”

Dialog Spotlight: Short Straw Theatre Company – “The Effect”

Interview by: Oscar Lidgerwood Two weeks away from opening their debut production of “The Effect”, Short Straw committee members, Charlotte Rogers, Hazel Pigrum, and Freddie Carew-Reid meet with the Dialog to discuss the importance of student theatre, and open up about their experience starting their own company. Charlotte: We all met through Lord of the Flies with Four Letter Word last semester and decided to … Continue reading Dialog Spotlight: Short Straw Theatre Company – “The Effect”

High Praise for Newman Theatre: The Brothers Grimm Spectaculathon

Reviewed by: Ellie Dean In 2023, we have been blessed when it comes to fairy tale theatre. The premiere season of a new Australian take on the Cinderella story, Midnight, was lighting up the stage of the Comedy Theatre until just a few weeks ago, and is expected by many to announce a tour (or something even bigger) very soon. Even globally, crossing borders to … Continue reading High Praise for Newman Theatre: The Brothers Grimm Spectaculathon

LOVEMACHINE: A Striking Presentation of Modern Love

Reviewed by: Oscar Lidgerwood “My love for you was greater than my wisdom” To love is to hurt. It’s to break, and to heal. To love is knowing when it’s time to go. Through a striking blend of theatricality and a humane vulnerability, LOVEMACHINE finds a beautiful intimacy beneath the complexities of contemporary relationships, underpinning the timelessness of theatre. LOVEMACHINE delivers a nuanced mix of classic with a … Continue reading LOVEMACHINE: A Striking Presentation of Modern Love

Raffles on Capri

Born from the lyrics of Australian band Benny and the Dukes, Raffles on Capri is sure to delight audiences when fully realised in their six-show extravaganza in November. In all honesty big, traditional show tunes have never captivated my interest, which is why this contemporary musical – albeit still in the works – has pleasantly surprised me so much. Attending audiences to the Raffles on … Continue reading Raffles on Capri

First Class Performance

From the minute the audience entered the Guild Theatre we were transported into the gritty and dreamlike world of FLW’s Who’s Afraid of the Working Class. The set – a garbage tip, mattresses and a table – radiated well-coordinated chaos. The live music was urban and surreal, and the actors frozen in their positions on stage already grounded us in their world. Who’s Afraid of … Continue reading First Class Performance

UMMTA Gets Political

In the running history of UMMTA shows, The Hatpin stands alone, quite unique for being both Australian and somewhat contemporary (written in 2008, with revisions as recent as 2011). It is distinctive for its predominantly female lead-cast, and its deliberate focus on the experiences of these women. Written by James Millar and Peter Rutherford, The Hatpin follows the story of Amber Murray, played by Eleanor Davey. Set … Continue reading UMMTA Gets Political

A Taste That Leaves You Wanting More

From the minute the audience walked into the Guild Theatre, DisColourNation’s ‘The Unbearable Whiteness of Being’ made an impact. Each audience member was stopped and asked if they identified as a person of colour. Those who said yes got a Freddo chocolate; the rest sat down empty handed. It was clever, allowing the audience to experience the marginalisation that was explored throughout the piece. Without … Continue reading A Taste That Leaves You Wanting More