The play, written between February 2020 and May 2021 and across two different countries, was originally intended to be performed at the University of Melbourne’s 2021 Mudfest. In my opinion, the namesake of the show—the desire line at the centre of it all—was the journey that the play was forced to take before it was performed. It is commendable that, despite everything, Robertson and the cast persevered. Continue reading Desire Lines: Theatre in the face of lockdown