REVIEW BY MYA HELOU EDITED BY EMMA PARFITT The stage is fully visible when I enter the cozy black-box theatre. Lucas Prescott’s carefully constructed runway of wooden pallets is framed by two white drapes hanging from the ceiling at the back of the stage, oddly human-shaped rubbish bags dumped along the sides. It’s a texturally dense amalgamation that looks like a makeshift rebuilding of something … Continue reading Barkly Theatre’s Oedipus: A Complex Look at a Consummate Classic