MILO PENNEFATHER AND JULIAN MACHIN ON THEIR PROBLEMATIC NEW PRODUCTION Cancelled, Four Letter Word Theatre’s brazen new production, pulls none of its punches. The musical stars one Max Richmond, an arrogant lead singer whose disastrously insensitive remarks have spelled the collapse of his musical career. With the help of THEM, a down-and-out pop icon, Max hatches a plan to get back on top and win … Continue reading A Candid Look at ‘Cancelled’ Culture
There was something deeply interesting about Four Letter Word Theatre’s Two Nights Out of Bed, and in spite of its flaws, I found myself deeply compelled. Continue reading Two Nights Out of Bed: An Ambitious Production
I like the idea of university theatre groups putting on two short plays instead of a single big one. I like the freedom it affords theatre-makers to experiment and the lowered pressure on the audience. If the first show is bad, it’ll be done soon anyway. And if it’s great, you savour every moment. Four Letter Word Theatre has been deploying the double-bill tactic for … Continue reading (un)Australian: The legacy of a cultural crisis
Almost two years ago I auditioned for a Four Letter Word Theatre play and was knocked back. Since then, I have spent every day training my critical eye and plotting my elaborate revenge in the form of a lukewarm review. Two weeks ago, when fate gifted me the opportunity to review FLW’s Everything Is Fine, the animus within me awoke, poised and ready. It is … Continue reading Everything is Not Fine, But That’s Okay
The Dialog 