Reviewed by: Emma Parfitt For Love Nor Money, a new play by Angus Cameron, made its world debut at this year’s Melbourne FringeFestival. Touted as a sexy, queer dark comedy, I was expecting the raunchy humour of the show – but more surprising was the raw tragedy that underpinned it. For Love Nor Money follows millennial artists Mel (Clarisse Bonello) and Liam (Alexander Lloyd) as … Continue reading For Love Nor Money Avenges the Arts
Reviewed by: Molly Lidgerwood After four years, MUSC returns to Shakespearean comedy with their whimsical, enchanting and, “utterly original” production: Patience. Despite the tempting allure of staging tragedy, co-writers and directors Josh Higgins and Alexi O’Keefe delivered 50-minutes of pure entertainment and escape through their heartfelt homage to Shakespeare’s comedy. Their production is a triumph through the combination of its quick wit, ensemble performances, and … Continue reading “What Would You Wish For?”: MUSC’s Patience
Reviewed by: Dempsey Doyle Baz Luhrmann’s 2013 adaptation of the F. Scott Fitzgerald narrative classic The Great Gatsby is not only an ambitious, aesthetically stunning filmic experience, but an ode to the lavish yet licentious times of the Roaring Twenties. Considered to be both a cinematic and literary masterpiece by many, Trinity College rose to the trials that come with portraying the tale’s melancholic merriment. … Continue reading Swinging Into the Jazz Age With Trinity College’s ‘The Great Gatsby’
Reviewed by: Jade Smith Fundamentally, this production of Drowsy can only be described as an absolute romp – fun, vibrant, and carried by an incredibly strong cast and crew, a fabulously loving homage to musical theatre. The Drowsy Chaperone follows the Narrator (Will Serafim), an anxious, socially awkward older man living alone in what one can presume is his New York apartment, as he takes us through his … Continue reading The Drowsy Chaperone: Pure Theatre Joy at Queen’s College
Reviewed by: Emma Parfitt Spamalot is a show advertised to knock Broadway back by 1,000 years – and UMMTA sure delivered a knockout performance at Union Theatre as they transported us back to middle ages in spectacular fashion. The musical, with book and lyrics by Python legend Eric Idle, is essentially a direct spoof of Monty Python and the Holy Grail. Directed by Nick Reynolds … Continue reading UMMTA’s Spamalot: A Successful Quest!
Reviewed by: Felicity Siegenthaler St Hilda’s production of Addams Family was a killer hit! The kooky musical comedy brings everybody’s favourite family of darkness on a light-hearted journey of love, growth, and acceptance. The story follows the iconic Wednesday Addams, who has now grown up, fallen in love, and becomes engaged to a conventional young man called Lucas Beineke. After organising a dinner party at the Addams Family Manor for the two families to … Continue reading A Kooky, Spooky Night with St. Hilda’s “The Addams Family”
Reviewed by: Simon Brownjohn Ormond Drama’s rendition of Spring Awakening took the 21st century classic to the Union Theatre in an enthralling performance of rock and sadness. The show presents the lives of adolescents, each of whom uniquely come to terms with their burgeoning feelings of sexuality, against the backdrop of a repressive environment which shuns the characters into silence. The themes discussed encompass topics … Continue reading Harrowing and Inspired: The Theatrical Tapestry of Ormond College’s Spring Awakening
Reviewed by: Emma Parfitt Grease is the time, it’s the place, it’s the motion – it’s the musical that has thrived since the release of the hit movie starring John Travolta and the late Dame Olivia Newton-John in 1978. Nonetheless, its outrageous storyline and at time controversial characters make it a challenge to produce in a modern context: a challenge that University College rose to. … Continue reading UC’s Grease is the Word!
Hearing ushers detailing how they volunteered just to nab a ticket, and witnessing multiple wannabe audience members be gently turned away as they are informed the performance is sold out, it’s clear that Flare have built a passionate community that is united by a love of dance. Their mid-year showcase, Divinity, is an exciting re-introduction with a focus on developing emerging choreographers as they build … Continue reading Divinity: A Demonstration of Flare’s Impressive Community
Interview by: Oscar Lidgerwood Two weeks away from opening their debut production of “The Effect”, Short Straw committee members, Charlotte Rogers, Hazel Pigrum, and Freddie Carew-Reid meet with the Dialog to discuss the importance of student theatre, and open up about their experience starting their own company. Charlotte: We all met through Lord of the Flies with Four Letter Word last semester and decided to … Continue reading Dialog Spotlight: Short Straw Theatre Company – “The Effect”
The Dialog 