Can you picture yourself without a camera phone? Or, worse, can you imagine your phone on display to your friends, revealing every spicy selfie, sensitive medical appointment and spam calls that are definitely not your side-chick trying to tell you that she’s pregnant? Continue reading MUCTG’s Kill Mobile: What Dirty Secrets are you Hiding in Your Phone?
HAML3T once again showcased the impressive skill of the cast, crew and production team and their teamwork. The heavy list of content warnings did not prepare the audience for the beautifully handled tragedy of the performance, though perhaps its father piece Hamlet should have. Continue reading Touching and Tragic: MUSC’s HAML3T Takes Centre Stage Once More
Picture this: you’re trapped in your favourite least favourite club on queer night. It’s the sort of place where everyone knows everyone—perhaps a bit too well. You’re either imagining the nightmare I had last night, or the set-up for Doghouse. Continue reading Club Rats and Thursgays: Sidonie de la Cœur and Sam Weldon’s Triumphant Doghouse
There is something uniquely challenging about actors looking out at the audience and telling you that they are going to die, and even acting out their own deaths. Continue reading The Everyman: A Modern-Medieval Morality Play
After years of online shows and activities, the Melbourne University Chinese Theatre Group (MUCTG) returned with a highly anticipated bang. How high? How about the “selling out closing night in five hours” kind of high. Continue reading MUCTG’s The Hostage: Sometimes Getting Robbed is Good for You
The Dialog 