Remember Ronald Ryan. This phrase is a powerful conceit, and that’s not just because of the convenient alliteration. Those three words aren’t just there to provide the absolute shortest summary of a play possible, but to make a promise: that after two emotional acts, you will remember Ronald Ryan, the last man to be hanged in Australia. Queen’s College Music and Drama Society kept this … Continue reading A Play to be Remembered
The audience’s excitement, their trepidation, their desperate prayers for “please, God, no audience participation” – from the first monologue, The Drowsy Chaperone knew what its audience was thinking, and liked to remind us of that fact. St Hilda’s rose to the challenge of this unusually self-referential play, producing a show that was lively and enjoyable, and often subverted our expectations. While there were some rough … Continue reading High Energy
Sexual assault is an ongoing social issue, particularly in a college environment, as is the victim blaming and sexism that so often surrounds rape. In light of this, International House’s choice to perform Blackrock, which explores the aftermath of the rape and murder of a teenage girl, is both bold and commendable. Directed by Holly Nugent, the production was as gripping as it was thought … Continue reading Disturbingly Relevant
Loosely based on Puccini’s opera La Boheme, RENT follows the life of a group of creative friends fighting to overcome poverty in New York City’s East Village in the early 90s. Written and composed by Jonathan Larson in 1993, RENT opened on Broadway in 1996. Larson tragically passed away the night before the first preview of the show, explaining the lack of rewrites and the … Continue reading No Day But Today
The Dialog 