Not-So-Private Lives

A mix of playfulness and passion characterised the Balloon Head Theatre Company’s inaugural production, Private Lives, taking the audience on one heck of an emotional rollercoaster. Noel Coward’s classic comedy of romance, with all its twists and turns, is encapsulated by the line ‘Chance rules my life’. The company carried this essence beautifully, with a truly endearing performance that managed to maintain a definite level of professionalism without ever … Continue reading Not-So-Private Lives

It’s Got Heart

Enthusiasm and feeling permeate MUSLSA’s Annual Charity Play On Time, which follows the Fernando family as they move into a new neighbourhood, next door to notorious old grouch Bernie Wilson. Manjitha Wijesinghe skilfully portrays this character both as a spirited young man and a curmudgeonly seventy-year-old. Sharini Arachchige is delightful as the bubbly seven-year-old Lucy; and Ariana (Inushi Ilangamage), the unexpected hero, drew laughs in the second … Continue reading It’s Got Heart

(Im)pure Imagination

Welcome to a world we thought we knew. A world where ‘pure imagination’ makes children feel like anything is possible. These dreams will be stomped on as you visit the factory of Willy Wanka: a complete disaster and downright wanka. Willy Wanka follows the original plot of Willy Wonka and the Chocolate Factory, but with the added threat of bankruptcy. You’ll need to go and see … Continue reading (Im)pure Imagination

Interview with Simon Farley

Kate Weston sat down with her co-director and emerging playwright Simon Farley to talk about their upcoming production The Nun and The Highwayman. First presented by FLW Theatre at Mudfest, the play won a place in La Mama’s 2015 Explorations season, and opens this Thursday 26 November, running until Saturday at La Mama Theatre. Kate and Simon have known each other for entirely too long, and … Continue reading Interview with Simon Farley

An Implausible Species

Joanna Murray-Smith’s The Female of the Species is zany romp through the shifting politics of feminism. A conceited writer is held hostage in her mansion by a former student, while her rhetoric is placed under interrogation. Hilarity ensues. The college crowd audience were immensely entertained by the opening night performance I watched. At times, some of the dialogue was lost under the crowd’s laughter. A … Continue reading An Implausible Species

The Shrew We Need

It’s a brave enterprise to stage a production of Shakespeare’s most notoriously misogynistic play to draw attention to a devastatingly relevant issue in Australian culture: the cycles of family violence and abuse. The dangers are obvious. Make one wrong move artistically, and you risk reinforcing the very thing you’re condemning. MUSC’s production of The Taming of the Shrew walks atop this razor’s edge, and the … Continue reading The Shrew We Need

Love & Tradition

A ruined wedding, a love triangle, psychotherapy, homosexuality, intergenerational conflict and inhumane bureaucracy – all set against growing activism for democracy in Hong Kong. These are just some of the areas covered in this expansive new musical. Nanjing Beijing is the brainchild of Bang Xiao, who wrote the dialogue and composed its music, and is deftly directed by Helena Lu. What an astonishing feat for … Continue reading Love & Tradition

Polyester Rainbow

St Hilda’s production of The Wedding Singer is a boisterous and enthusiastic show that doesn’t take itself too seriously. An easy eighties rom-com, this is a somewhat predictable musical that closely follows genre conventions, but is no less satisfying for it. Mackenzie Downie was charming as Julia, giving an endearing quality to the female lead’s girl-next-door simplicity. She conveyed Julia’s romantic indecision both convincingly and … Continue reading Polyester Rainbow